Printmaking

How would you illustrate ‘Doubt’ in print? For a third year now I am participating in the annual Queenscliff Gallery & Workshops Print Exchange. The 2020 theme … Human [...]

Suddenly ‘time’ is something we seem to have a lot of. Are you looking for some new reading material? Here I share with you 3 of my favourite linocut reference books from my own [...]

One gelatin plate, 2 paint colours, some paper and a brayer … that’s all you need to create a mountain range monotype print.

For a second year now I have participated in the Queenscliff Gallery & Workshops annual Print Exchange. The exchange coincides with the Queenscliff Literary Festival and is open to artists [...]

How do you print a white silhouette with a coloured background when printing with gelatin plates? Here I share my process with you …

Never ever ever in my wildest dreams did I imagine that I would call home a place as beautiful as where I am now. And with that find myself a new studio space; a bigger space, and a space perfect [...]

Slow. Slow. Quick. Quick. Slow. 2018 is done. 2019 brings new hopes and printmaking adventures. I took some considered time-out yesterday to reflect on the year that was 2018. It was a great [...]

A few years ago Sophie Grain from Two Hoots Creative put out a call to lino printmakers around the world to complete a survey. And respond they did! In her own words …

What happens in the rainforest once the sun has set? The night shift kicks in to gear at Mary Cairncross Scenic Reserve with bioluminescent fungi, inquisitive marsupials, owls, moths and [...]

Cyanotype (aka sun prints) is fun! Spontaneous. Unpredictable. Experimental. Well, at least the way I do cyanoytpe it is!