Printmaking Workshop Expenses and Materials Costs

 In Workshops

Running workshops, art workshops or other, are a heap of fun, plus some hard work. I love to share my skills with people interested in the art of printmaking.

Planning the workshop program is pretty straight forward, but costing the workshop adds an administration dimension that, as an artist (albeit one with a bit of a business head), wasn’t so straight forward; and once done, proved to be a very enlightening exercise.

When working out the tuition cost and materials fee for my workshops, I realised there was a lot to consider … teaching time, program and handout preparation time, venue costs, catering, promotion and advertising, preparation and cleanup and of course the materials used during the workshop.

The Tuition Cost

Time

For every workshop, be it a single day or weekend workshop, and even private tuition, time is the largest resource investment. There is the time taken to actually teach a class, but there is also almost as many hours in preparation and promotion of each workshop.

  • Check and collate materials
  • Coordinate student enrollment
  • Venue setup
  • The workshop itself
  • Venue clean and tidy up – before and after each workshop
  • Tools cleanup and packing

Time to create and distribute promotional and advertising material, including printing flyers, newspaper and magazine advertising, social media posts and promotions and email newsletters. Oh and the website! That is one task that seems to never end – maintenance and updates on my website.

Venue and Catering

My workshops are run from my personal studio. With that is  the need to cover the costs associated with workshop furniture and resources (books) and other utilities such as water and electricity.

I love to have a cuppa on hand while I’m working, so I assume that other printmaking enthusiasts feel the same. I provide tea, plunger coffee and hot chocolate and a morning and afternoon tea with each workshop.

The Materials Fee

For every workshop and private tuition session, a range of materials are needed. Some materials are new for each session others are used over and over until they are worn, damaged or misplaced, then need to be replaced.

soft brayer quality printmaking toolsMy attitude in life is to always buy the best quality you can afford. I believe this to be especially true when it comes to buying art materials. Over many years in my own printmaking practice I have afforded myself a collection of quality tools, all of which I treasure (you can read about my favourite printmaking tools here). When it comes to tools used in my workshops, I maintain a similar approach. Given the volume and multiples of items needed to run the workshops, I have purchased mid-range quality tools and resources, such as quality brayers (rollers) and carving tools. We print with quality printmaking paper and there is a collection of other tools and resources we use during each workshop. Below is a list of the materials used in each workshop. It’s not everything, but it is a little longer than I expected.

All the necessary materials for all workshops are covered in the Materials Fee of each workshop. Different workshops require different materials, but all materials are quality, and wherever possible, ‘artist quality’:

  • handouts and fact sheets
  • reference images for print inspiration
  • tracing paper to transfer images
  • pencils, erasers, pencil sharpeners, permanent markers, rulers, scissors, cutting knives, sticky tape
  • rubbing crayons to check the progress of work
  • lino block for carving and printing
  • lino strips for practise mark-making
  • brayers (rollers)
  • barens (for rubbing over the paper to transfer the ink form the lino to the paper)
  • quality printmaking paper
  • cartridge paper
  • printmaking ink
  • artist quality paints (for the monotype workshop)
  • carving tools
  • palette knives for preparing and mixing ink
  • glass for ink mixing and rolling
  • wipes and rags
  • newspaper
  • brushes for cleanup
  • nonslip mats
  • materials for making registration boards
  • reference books, magazines and literature

 

In Summary

Talking money and costs can get a little awkward, but I hope this article helps with a breakdown of the costs associated with my workshops.

If at any time you have questions or want more information, please contact me directly. I am happy to answer any questions you may still have.

Ready to join a workshop?

Have a look through my workshop program here:

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One Tree Hill, Maleny, overlooking the Glass House Mountains